摘要
庄子及其学说对中国艺术精神之生成具有立体而又根底性的意义。其贵生、安命的处世之道,乃后世文人的人生态度以及他们寄情艺术的缘由所在;其"虚"的体道工夫,亦为后世文人进行艺术创作的心理前提;其体道时所呈现的至乐、逍遥的精神状态,恰是后世文人在艺术作品中所表现出的情感体验;而庄子对真与自然这种价值形态的推崇,正与后世许多文人所领悟到的最高艺术境界相融通。
Zhuangzi's thoughts have an immense influence on spirits of Chinese arts. The life strategy of Zhuangzi "treasuring life" and "obeying destiny" is the life attitude of many literates. The Tao a method named "emptiness" is the psychological prerequisite for many literates' creation. The characteristics when comprehending Tao- "greatest happiness" and "carefree wandering" are experiences described by many literates. The principle advocated by Zhuangzi --"authenticity" and "nature" is interlinked with the supreme realm in many literates' mind.
出处
《安徽师范大学学报(社会科学版)》
CSSCI
北大核心
2009年第5期546-550,共5页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
基金
广东省211工程三期重点学科建设子项目
广东省高校人文社科研究重点研究基地创新团队项目(07JDTDXM75003)
关键词
庄子
文人
艺术
人生
Zhuangzi
literate
arts
life