摘要
许地山的《归途》并不着意表现他的"宿命论"思想。他灵活借用古希腊悲剧的命运观念,给《归途》穿上了"宿命"的外衣,最终表现了他的人道主义关怀。
Honwward Journey, written by XU Dishan does not intend to show his ＂fatalism＂ thoughts. By borrowing the ancient Greek fate idea of tragedies, Xu eventually highlights his humanitarianism.
出处
《宜宾学院学报》
2009年第8期84-85,共2页
Journal of Yibin University
关键词
命运观念
宿命论
表现手法
潜意识
人道主义
fate idea
fatalism
expression means
subconsciousness
humanitarianism
