出走城堡又返回城堡的“疯女人”——《呼啸山庄》中西斯克利夫之雌雄同体浅析

The Madwoman Who leaves and returns the Castle:An Analysis of Androgyny of Heathcliff in Wuthering Height

"雌雄同体"赋予了小说《呼啸山庄》男主人公西斯克利夫独特的艺术魅力。作者艾米莉.勃朗特采用了巧妙的"女性文本的计策",通过赋予他内心的"疯女人"以强悍的男人外形与计谋,使其成功地"出走城堡"又"返回城堡",担负起实现女性在父权社会所无法实现的梦想重任——执着于爱情理想,反抗、颠覆父权制、殖民主义等多重压迫,完成"边缘的中心化",这在十九世纪保守的父权制的男权文化社会具有非凡的意义。

Androgyny endows Heathcliff, the hero in Wuthering Height, with unique artistic enchantment. Emily Bronte, the author, adopted ＂Female Textual Strategy＂ in the novel, i.e. Heathcliff＇ s madwoman-inner-world is covered by a man＇ s unyielding and valiant shape with strategies so that he manages to leave and return the castle for accomplishing the heavy task that the female is unable to finish in the Patriarchal society, including realization of love ideal, fighting against and subverting patriarchy and colonialism and change from marginalization to centering. This was of vital importance in 19th century＇ s patriarchal society.