期刊文献+

无为而无不为:论师陀的文艺观念

Doing Nothing but Doing Everything——on ShiTuo's Literary Notion
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摘要 师陀是20世纪三四十年代中国大陆一位个性鲜明且执著坚守着独立的艺术创作立场的重要作家。他始终严格地面向生活,反映生活,无意去追随流派,也难以界定他属于哪派。他的作品沉实而不高亢,描摹世态人情,刻画社会风习,虽然缺乏强烈的时代精神,但对于社会黑暗现象的揭露与憎恶,对卑微小人物的同情,跃然纸上。 ShiTuo, persisting in independent artistic creation with a unique personality, was a significant writer in Chinese Mainland during 1930s and1940s. He always faced and reflected life strictly. As he had no intention to follow any genre, it is difficult to define which genre he belonged to. His works, depicting the ways of world and social customs as well, was heavy but not haughty. Though his works lacked spirit of the age, the social darkness, his resentment against social evils as well as his deep sympathy for people at the bottom of the society is reflected in his writing.
作者 张晓云
出处 《殷都学刊》 2009年第3期99-102,共4页 Yindu Journal
基金 浙江省社联2007年度立项课题<走出"京派"与"左翼"的遮蔽--师陀及其创作新论>(07N67)成果
关键词 师陀 流派 随意随笔 典型 ShiTuo Genre Essay Typical
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