世俗化在赞神歌中的表现

Secular Character in Songs in Praise of God

从"赞神歌"仪式、仪式中的内容以及音乐三部分阐述了"赞神歌"是吴越神文化的一个组成部分,在流变中,特别是近现代,受世俗文化的影响较大,出现了明显的世俗化趋势,尤其表现在音乐上。如[罗哩调],是[弥陀调]和当地[放牛调]的融合;[郎园调],是[拜香调]和当地民歌小调的融合。对这一部分已消失了的文艺,今人完全可以加以整理总结,然后,用到其他文艺形式中去。

This paper elaborates that songs in praise of God is a part of Wuyue culture of God from three parts,i.e.the ceremony of songs in praise of God,the content of the ceremony and the music in the ceremony.The songs are greatly influenced by secular culture in the evolution especially in modern times,presenting an obvious secular trend,particularly in music.For example,the Luoli tune is a combination of the Mituo tune and the local cowherd tune;the Lang Park tune is a combination of the joss stick tune and the local folk music. People today should sum up the lost art and apply it in other art forms.