摘要
进入20世纪90年代后,利用革命题材编织轻松快乐的故事,成为这个时代的文化标志。革命英雄人物的塑造倾向于农民式的、粗鄙的以及带有喜剧色彩的性格特征,其所具有的匪气被当作军人的阳刚之气予以表现。而传统的民女被抢的故事模式经过革命话语的润饰,却成了军人在后革命时代的激情表演。这是一个时代的文化症状。
Since 1990,happy and relaxed revolutionary stories have become a cultural landmarks of the age.The shape of revolutionary hero tends to display a crude and comic character of farmers,and their bandit s character has been narrated as masculine of a soldier.The story mode of farmers daughters robbed has been transformed to passionate performance of revolutionary hero in post-revolution age by decoration of revolutionary speeches.This is a cultural symptom in the era.
出处
《嘉兴学院学报》
2009年第5期93-97,共5页
Journal of Jiaxing University
关键词
革命题材
文化消费
喜剧
revolutionary theme
cultural consumption
comedy