两晋音乐赋审美取向与表现简析

The Aesthetic Standard and Expression of Muisc fu in West Jin and East Jin Periods

两晋之际,咏物赋创作繁盛,其中也产生了许多描写吟咏乐器、舞蹈、歌唱等题材的音乐赋。许多音乐赋中有相当的篇幅包含渲染悲哀的内容,用文字这种媒介来表现音乐时,音乐赋的作者往往巧妙借用富于形象化的场景和氛围描写,来构筑抽象的音乐所能带给人的丰富的想象空间,从而表现其独特的"尚悲"审美取向以及相关的"乐教"功能。

In west jin and east jin periods, such literary circles of little fu which generally describes concrete articles began to thrive, and so did the music fu that describes musical instrument, dance, singing, and so on. As many music fu contains content of sadness, when expressing the music through the media of literary, authors of music fu usually used the description of visual scenes and atmosphere ingeniously to build the rich imaging space that can be brought by abstract music, and express the special aesthetic standard of ＂upholding sadness＂ and function of ＂musical instruction＂.