摘要
凤翔泥塑造型粗犷夸张,简练概括,浑圆古朴,有大汉之风,在造型上汲取和保留了汉代石刻和陶俑的造型特点、又和当地"花馍"的造型有相似之处,吸收了剪纸、刺绣、装饰纹样等各种民间艺术技法。
The model design ofFeng Xiang's sculpture is rough and exaggerated, terse and inclusive, perfectly round and simply unsophisticated. It has the style of the magnificent Han dynasty. In terms of model design, it not only absorbs and retains the model design characteristics of stone carving and pottery figurines in Han dynasty, but also resembles the model design of"eolored steamed bread". It has absorbed a variety of artistic techniques of paper-cut, embroidery, and adornment as well as heraldry in the folk.
出处
《咸阳师范学院学报》
2009年第5期65-66,70,共3页
Journal of Xianyang Normal University
关键词
凤翔泥塑
原始性
儿童性
装饰性
Feng Xiang's clay sculpture
primitiveness
artlessness
omamentality