摘要
"澄怀味象"是宗炳在《画山水序》中提出的一个重要的艺术学、美学命题。"澄怀"是对老子"涤除"、庄子"心斋"与"坐忘"的审美心胸理论的继承,其涵义体现了宗炳对艺术直觉特征的确定;"味象"的涵义则体现出宗炳艺术直觉思想的本体论,从而揭示宗炳的艺术直觉思想在中国古代艺术直觉思想史上的地位。
"Calming clown one's mind and appreciating images" is one of Zong Bing's most important artistic and aesthetic propositions which were proposed in "Preface to Landscape Pictures". "Calming down one's mind" is an aesthetic theory inherited from Lao- zi's "washing away one's distracting thoughts" and Zhuang Zi's "the heart space" and "sitting in meditation and becoming unaware of this world", which embodied Zong Bing's affirmation of the artistic intuition thought. The implication of "appreciating images" manifests Zong Bing' s ontological thoughts on artistic intuition, thus shows the status of Zong Bing' s artistic intuition thought in ancient Chinese history.
出处
《广西师范学院学报(哲学社会科学版)》
2009年第2期50-53,共4页
Journal of Guangxi Teachers Education University:Philosophy and Social Sciences Edition
关键词
澄怀味象
本体论
艺术直觉
Calming down one s Mind and Appreciating Images
Ontology
Artistic Intuition