摘要
本文以1950年代初的影片《腐蚀》为考察对象,从电影的叙事结构、人物形象塑造及影片内容的叙事引导三方面对影片进行解析,发现1950年代初电影叙事多重探索的可能性。影片的最终被批判说明主流叙事在这一时期的规范与引导,由此女性边缘人物在电影内外走向了一条看似"新生"的"末路"。
The paper analyzes the film Corrosion from narrative structure,characters and diegesis and finds the possibility to explore the film narration in the early 1950s in multiple ways.The criticism on the film indicates the rule and the guide of main narration at that time.And the marginal female characters inside and outside the film go to a "dead end".
出处
《南京师范大学文学院学报》
CSSCI
2009年第3期117-122,共6页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
《腐蚀》
叙事结构
女性
Corrosion
narrative structure
female