论“文革”时期战争题材儿童片的美学成就

Struggle and Breakthrough: The Aesthetic Achievement of the Children's Movies on the Subject of War during the Cultural Revolution Period

"文革"时期"三突出"原则束缚了电影艺术的美学创新。拍摄于"文革"后期的战争题材的儿童片尽管仍免不了在"三突出"的原则里打转,但已开始试图冲破樊篱,在人物形象塑造、叙事方式和创作方法诸方面进行了某种"变通",为单调的"文革"影苑奉献了几许质朴、清新的声色,表现出对"十七年"同类型电影美学特征的延续和变异,反映出电影创作者在"红色"规训下的无奈及其进行突围的努力。

During the Cultural Revolution period,the principle of ＂three emphasis＂ largely hindered aesthetic innovation of the Chinese cinematics.Though inevitably limited by the ＂three emphasis＂ principle,children s movies on the subject of war produced during the later years of the Cultural Revolution Period started attempts to make breakthroughs.They made certain ＂modifications＂ in such aspects as characterization,narrative structure and production.Such efforts had contributed some fresh and lively colors to the monochmmatic world of Cultural Revolution cinema, which realized at once the continuance and the variation of the aesthetic traits of the same type of movies during the 17 years since 1949. These efforts reflected a sense of limitedness the movie - makers felt and their courage to make breakthroughs.