摘要
《淮南子》在艺术的本质观上持的是情感本质论,"发于词,本于情"是中国文论史上文艺情感本质观的滥觞,它提出的艺术至情论对中国后世的文艺产生重大影响。
What is held in Huainanzi on the nature of arts is emotion. ＂Words on the surface, emotion in nature＂ is the origin of the emotional nature of arts in the history of Chinese literary theories. The artistic theory proposed in Huainanzi, namely, the ＂theory of sincere emotion＂, has a significant influence on the literature and arts of China s later generations.
出处
《黄山学院学报》
2009年第4期57-60,共4页
Journal of Huangshan University
基金
黄山学院校级科研项目"<淮南子>文艺思想的后现代阐释"(2006xskq004)
关键词
《淮南子》
艺术
至情论
Huainanzi
arts
theory of sincere emotion
