摘要
中国的艺术境界理论,早已被从古至今的艺术家所重视。"境界"或"意境"这一概念,从《周易·系辞》"观物取象"、"立象以尽意"以来,在我国文艺史上经过了漫长的孕育与发展的过程。它的丰富内涵和特征,一直被众多艺术家、文学家所阐释。
The theory on the realm of the Chinese Art has long received the artists attention since ancient times.The concept of "Realm" or "mood" have been through the long developing process in the history of Chinese literature and art since the ideas of "concept-taking as" and "as the legislation is intended to do" were mentioned in the Book of Changes copulative.Its rich contents and features have been expounded by many artists and writers.
出处
《芜湖职业技术学院学报》
2009年第2期36-38,共3页
Journal of Wuhu Institute of Technology
关键词
意境
虚实相生
传神不隔
言外之意
mood
the mutual promotion of ideology and practice
vivid and direct
implication.