试论周作人散文理论与晚明小品文的渊源

On the Relations between Mr.Zhou's Theory of Prose and the Origin of the Essays in the Late Ming Dynasty

周作人以名士式的小品文为创作主要体裁的文本,以及由此而形成的散文理论丰富和发展了二十世纪初的新文学革命运动。其散文中所表现出的与明代小品文相近情趣,是建立在二者背景近似的基础之上的。周作人对晚明散文理论有意识的继承主要表现在三个方面:一是在散文的语言上,要自然大方;二是对晚明小品文平淡境界的继承;三是提倡不为情牵,不为物累的情感表达方式,以期通过这种方式达到平淡的境界。

Zhou famous in essay-style to create the text of the major genres,as well as the resulting prose enriched and developed the theory of the early 20th century literature of the new revolutionary movement.Zhou prose shown in the sketch with a similar taste in the Ming Dynasty is built on two kinds of similar cultural background based on.Prose of the late Ming Zhou conscious succession theory mainly in three areas：in the language of prose,we should naturally generous;Late Ming to the realm of the succession of the succession of dull essays; East Meets West is not to promote, not the emotional expression were tired, with a view to the adoption of this approach to achieve the level plain.