“曹谱”《古韵成规》卷析疑

Clarifying Cao Edition of Guyun Chenggui

"曹谱"是清代苏南道家的传世刻本,该刻本共有曲谱三卷,按版本中排列顺序分别为《钧天妙乐》卷上、《霓裳雅韵》卷下、《古韵成规》卷。文章依据《古韵成规》卷本中存在的若干疑点,如在"曹谱"中的入编时序、编订者及所收曲牌来源等问题,进行了细致入微的分析,进而作出了《古》卷曲目并非苏南道家吹打之原本,主要来自对于苏南佛家吹打和民间吹打吸取的判断。将该卷进入苏南道家吹打的时间划定在《钧天妙乐》与《霓裳雅韵》两卷本之后,为全面了解苏南道家吹打的形成、发展过程提供了佐证。

The ＂Cao edition＂, all together three volumes og music, is from the Taoist in south of Jiangsu area in Qing dynasty. Base on some of doubt points exist in Guyun Chenggui, the article analyse the time sequencing of music enroll, editors and and source of qupai （the names of the tunes）, and got the conclusion that the works in Guyun Chenggui was not origional Taoist one in south of Jiangsu area, but mainly from the Buddhist and country. The papers put forward that the the time for Taoist blowing and percussion music in south of Jiangsu area collected in Guyun Chenggui should be later the other two volums, and the writer thought this idea could help to know comprehensive the formation and development of the Taoist blowing and percussion music in south of Jiangsu area.