摘要
"鼓缶而歌"无疑是2008年北京奥运会开幕式中引人注目的节目。缶阵的演出形式在获得好评的同时也遭到了一片质疑。文化学者朱大可教授在《"黄钟毁弃,瓦缶雷鸣"——奥运缶究竟象征了什么?》的访谈中对"缶"的乐器功能仅用"贱器"和"丧器"予以区分,并大量征引了相关文献来证明。"贱器"和"丧器"实际上是对"缶"的使用者及其演奏场合的明示和限制。那么,乐器"缶"在历史舞台上呈现的仅仅是"贱器"和"丧器"?朱教授所引用的文献真的可以证明此说?
That playing the drum in Jianfou-shaped with LED was undoubted the program cought the audience＇s eyes in the opening ceremony of the Beijing Olympic Games 2008. While the performance of this kind fou-formation received much acclaim, however it also got some scholars questioned. Professor Zhu Dake discussed instrumental founction of fou in his blog, and quoted all related references to prove that it was just as either humble or mourning vessel for this kind of usage in the traditional way. Against Zhu＇s version, the papers proposed some questions and different ideas.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2009年第4期121-128,共8页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
缶
朱大可
贱器
丧器
Fou, Zhu Dake （1957～）, humble vessel, mourning vessel
