摘要
《音乐表演艺术原理与运用》是杨易禾先生的力作之一。著者站在哲学的高度直接从方法论入手,从美学视角对音乐表演艺术做了考察与探讨。贯穿于本著始终的是横亘于古今与中西之间的艺术理念。作者立足于中国古代美学思想的研究成果,对音乐表演艺术的本质和所涉及到的各种现象进行了深刻阐述。同时,作者还另辟蹊径,深入研究音乐作品的存在方式,对与此有关的心理学观点勇敢大胆地提出了自己的见地。著作对于表演艺术的操作具有实际指导意义。
"The Theory and Applications of Performing Arts of Music" is one of Yang Yi - he'masterpieces. Standing at the height of philosophy, starting directly with methodology, the writer inspects and discusses music performing arts from an aesthetic angle. What runs throughout the book is the art idea between the ancient and present times and that between China and the West. Based on the research results of the Chinese ancient aesthetic ideas, the writer expounds the phe- nomena involved and the essence of music performing art. At the same time the writer observes the existing way of music works in three dimensions, putting forward his own bold view point about psychology. This book is of practical and direc- tive significance for the operation of performing arts.
出处
《贵州大学学报(艺术版)》
2009年第3期35-37,共3页
Journal of Guizhou University Art Edition