立足现实的电影人支柱——杨德昌与侯孝贤

Bases reality movie person prop ——Yang Dechang and Hou Xiaoxian

"在当代台湾电影界,杨德昌堪称最赋有社会责任感、历史使命感和忧患意识最强烈的导演。而且年轻时长期接受的理科教育,使他的创作在积极地介入现实生活的时候,并没有停留在感官和感性上,而是力求客观和理性……说侯孝贤拍台湾乡土社会的现实电影,一是早期的作品中的内容与台湾乡土社会的直接关系,二是侯孝贤的乡土情节,与寻根情节又不一样,他不是单纯地要寻找、认同自己的身份,而是一种对乡土和生命中乡土即成长的孩提青葱岁月的迷恋。"

＂in the contemporary Taiwan movie circle, Yang Dechang may be called most has the social responsibilities, the historical sense of mission and the sense of hardship most intense direction. Has not paused in the sense organ and the perception, but makes every effort objective and the rationality Said that Hou Xiaoxian shoots the Taiwan folk society the realistic movie; first, in early work content and Taiwan folk society＇s direct relation; second, Hou Xiaoxian＇s local plot, with inquires into the plot not to be dissimilar, he is not wants status purely, but is one kind to the native soil and the life the native soil is the growth to seek infancy for, to approve his shallot years love.＂