摘要
本文通过分析纪录片《德拉姆》在电影语言方面的特点,认为其镜头在坚持客观性的前提下,融合了导演田壮壮的主观视点,进而挖掘该片的深层含义——对现代化的反思与拷问,并提出了"人应当怎样生活"的社会命题和人生命题。
By analyzing the characteristics of film language about the documentary named "Delamu",this article believes that film languages have integrated the subjective view of the director Tianzhuangzhuang in the premise of persisting in objective recording, and then will disclose the deep meaning of the film that is to reflect the modernization, and further will raise the proposition about society and human life that how human beings should live their life.
出处
《新闻界》
CSSCI
北大核心
2009年第5期145-146,175,共3页
Journalism and Mass Communication
关键词
田壮壮
客观纪录
主观选择
宗教信仰
现代化
Tianzhuangzhuang objective recording subjective choice religious beliefs modernization