摘要
戏剧作品主要是通过戏剧冲突刻画人物性格、塑造人物形象,而元杂剧多采用民俗纠葛构建戏剧冲突,尤其民俗信仰组成的民俗纠葛所构建的心意冲突表现得更为突出。悲剧中都有统一的中心冲突,创作者用民俗信仰组成纠葛来构建戏剧冲突、表现主题思想,同时又展现了传统的民俗心理特征,为元杂剧艺术的民族化灌注了生命。
From the perspective of folklore Yuan tragedy, the author is subject to the domination of folk psychology to build a theater of conflict. Yuan Dynasty construction disputes the use of folk theater of conflict, in particular the composition of folk belief, folk customs disputes the heart of conflict by building a more prominent performance. Tragedy has unified the center of the conflict, the author disputes with the composition of folk beliefs to build a theater of conflict, to express the theme of thinking, while at the same time demonstrates the psychological characteristics of traditional folk.
出处
《青海师范大学学报(哲学社会科学版)》
2009年第5期101-104,共4页
Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)
关键词
元剧
民俗纠葛
戏剧冲突
民俗心理
Yuan tragedy
folk conflict
drama disputes
folk psychology