徘徊于纯粹论与工具论之间——郭沫若早期文艺思想探因

Fluctuating between Aestheticism and Utilitarianism:To Explore the Reasons for Guo Mo-ruo's early Literary Thoughts

郭沫若早期文艺思想的一个重要特征是徘徊于纯粹论与工具论之间,其原因主要是:首先、对文艺纯粹论的学理依据缺乏深入的了解,更由于中国文学史没有文学自主的现实经验,使得他面对西方文学自主论的论说时,会觉得非常有道理,回到中国的现实时,又会觉得文学工具论更合时宜;其次、艺术家与革命家的双重身份;第三、争夺文坛话语权的实用主义考虑。

The key character of Guo Mo - ruo＇ s early literary arts thoughts is that it paces back and forth in Aestheticism and Utilitarianism. This issue mainly analyzes this phenomenon by three aspects ： Lacking of in - depth understanding of the basis of pure theory of literature, he would find aestheticism was very reasonable when facing western literature independent of discourse, but feel utilitarianism to be more appropriate when facing back to Chinese realities ; Artists and revolutionaries of the dual identity and competing for the right to literary discourse pragmatic considerations were the other two reasons.