风景的幻象解析

Analysis of landscapes as fantasy

在风景中明心见性或进行形而上追索已成为一种审美惯性,进而影响主体的文化结构和价值立场。在对风景的审美惯性中存在某种惰性,其匿身于风景审美机制的缝隙,成为理解主体化的征兆。风景的审美性在于该实体被化约为符号性主体。这一化约行为剔除了人之属性的复数性,转移了个体存在的被动性,使风景成为抵御复杂现实的一道屏障、一个幻象。而穿越幻象则易使主体丧失稳定的现实感,因此在一定程度上,静态的风景刻画成为最难以拒绝的乌托邦。

It is an aesthetic tradition to conduct the metaphysical thoughts in landscapes, which always exerts an influence on the subject＇s cultural structure and the position of value. There is an inertia in the aesthetic tradition, hiding in the gap of the aes- thetic mechanism, which changes into the symptom of the sub- jectivity. The charm of the landscapes lies in the change from an entity to a symbolic subject. This process eliminates the plurali- ties of human, and transfers the passivity of the individual exist- ence. All these make the landscape into barrier or fantasy resist- ing the multidimensional reality. Nevertheless, traversing the fantasy will make the subject lose the sense of reality. So the static description of the landscapes becomes into the eutopia not to be refused.