摘要
贾樟柯将自己的目光落到草根阶层,恒定地关注与记录这一特殊人群的喜怒哀乐。利用符号学的方法将贾樟柯电影进行细化,分解成草根符号加以研究。从而,贯穿贾樟柯电影始终的草根符号群体的电影画像系列,也成就了贾氏风格。贾樟柯电影的特殊之处正是在于始终将草根符号纳入到自己的电影视野之中进行表现与描述。
Jia Zhangke focuses his own eyes upon the grassroot class,constantly concerning and recording joys and sorrows of this special population.We refine Jia Zhangke s films by means of semiotics,resolving them into grassroot symbols for purpose of study.Thus,the film portrait series of grassroot symbol groups running through Jia Zhangke s film have already formed Jia style.The uniqueness of Jia Zhangke s films is that he always integrates grassroot symbols into his own film perspectives,exposes them and describes them.
出处
《西昌学院学报(社会科学版)》
2009年第3期151-153,共3页
Journal of Xichang University:Social Science Edition
关键词
贾樟柯电影
草根符号
符号学
Jia Zhangke s Film
Grassroot Symbols
Semiotics