论模拟与南朝宫体诗人的新变策略

Simulation and the New Strategy of Court Poetry in the Southern Dynasty

模拟是梁陈宫体诗人实现"新变"的策略。梁代宫体诗人通过对乐府古辞的模拟,解构了旧体古辞,建构了宫体;通过对永明诗人的新体诗、赋咏古题诗以及新声乐府民歌的模拟,发展和完善了永明体,使之进一步向近体诗发展;而《玉台新咏》的编撰,则通过选目实现了宫体诗的自大其体。陈代宫体诗人的拟作旧题新作,完成了宫体诗的"新变",但最终滑入了色情的泥沼。

Simulation is the ＂new＂ strategy of court poets in the Liang and Chen Dynasties. They established the court style of verse and thus deconstructed the archaic verse via modeling classic Yue Fu poems. Further, they developed and improved the Yong Ming verse style to make it akin to the modern style, via modeling the new verses of Yong Ming poets, ode verses of classic subjects, and new Yue Fu folk songs. The compilation of Yu - t＇ ai hsin - yung made the court verse grand by itself. The court poets in the Chen Dynasty accomplished the ＂new＂ strategy of court verse by taking advantage of the old subjects but the new works finally had an erotic sense.