摘要
元代肖像画作品《忽必烈大汗像》与《杨竹西小像图》都重视写实,但两幅作品在创作目的、心态、手法以及创作主旨上所存在的差异,使得作品呈现出不同的艺术面貌与审美倾向,而这与宫廷肖像画家和在野文人肖像画家的身份以及学识素养、作品的创作对象有着很大的关联。
The portrait work of Yuan dynasty "Kublai Khan Portrait"and "Yang Zhuxi Portrait"both emphasize realistic painting. The configurations of the figures in the Paintings are portrayed very objectively and vividly, but the differences on creation goals, points of view, techniques and themes make the two works take on different artistic looks and aesthetic tendencies. These are closely related with the status, knowledge and accomplishments of the royal portrait painter, the out - ofoffice intellectual portrait Painter and the objects of the creations.
关键词
《忽必烈大汗像》
《杨竹西小像图》
宫廷肖像画家
在野文人肖像画家
"Kublai Khan portrait"
"Yang Zhuxi portrait"
royal portrait painter
out - of- ofice intellectural portrait painter