戏曲文学独立价值的艰难追寻——论福建剧作家郑怀兴

Pursuing the Independent Values of Dramatic Literature——Playwright Zheng Huaixing

郑怀兴的戏曲文学独立观不仅是一个很有意义的理论命题,而且是关系到戏曲创作实践的切实的问题。他对戏曲文学独立价值的艰难追寻,是对当代戏曲兴衰之由的一个具体而深刻的阐释。他"蜗居乡野",并特别清醒地坚持着戏曲文学的精神探求。他把写戏作为"生命的需要",沉醉在深邃无边的精神世界的探寻之中。在戏曲创作的文学性遇到舞台挑战的时候,他没有动摇戏曲文学独立价值的追求,而是在持之以恒的精神探求中,协调剧本的文学性与舞台性的关系。

Zhen Huaixing＇ s independent view of dramatic literature is not only a significant theoretical proposition, but also a practical problem which relates to the practice of dramatic creation. His pursuing the dramatic literature is a deep and concrete articulation to the reasons of dramatic falling and rising. Although he is always in the countryside, he keeps his clear spirit searching dramatic literature. He dedicates himself to writing plays, and immerses himself in the world of spiritual search. When dramatic literariness challenges dramatic stage, he does not waver the pursuit about dramatic literature＇ s independent values, but continues to explore, so as to coordinate the relationship between literariness and stage.