摘要
二战以后,在看待民族灾难这个问题上,德国出现了一个短暂的所谓自省时期,这一自省反映在文学上就形成了"废墟文学"。海因里希·伯尔便是"废墟文学"的代表作家之一。本文分两部分:第一部分概括评述伯尔各个时期的创作及其文艺思想;第二部分对伯尔的代表作《莱尼和他们》的"新新闻体"小说形式、纷繁复杂的时空交错与重叠手法,以及神话模式做了分析。全文阐明了伯尔激进的资产阶级民主主义精神和现实主义与现代主义交融的创作风格。
After World War II, Germany witnessed a short period of national self-examination, the literary reflection of which is called "Literature of the Ruins". Heinrich Bǒll is a representative writer of that school. The first part of this paper presents a summary of Heinrich' s writings in different eras ; the second part analyzes the characteristics of his Group Portrait with Lady from three aspects : the new journalistic style, the intersection of time and space, and the use of myth. As a whole, this paper gives a full illustration of Hcinrich' s ideological stance and his literary creation. He is not only a radical bourgeois democrat, but a master of both realism and modernism as well.
出处
《当代外国文学》
CSSCI
北大核心
2009年第4期34-40,共7页
Contemporary Foreign Literature