摘要
密斯建筑思想的逻辑原点是超验的形式。本文先阐述了密斯的建筑形式的原型和转换机制,指出密斯建筑形式原型是二维的方形,并由此形成他的建筑思想"少就是多"的方法论。其次从两个方面即"少就是多"和"上帝就在细节之中"阐述了密斯的建筑思想。然后论述了密斯建筑思想与后现代主义之间的相似性,指出了密斯的建筑思想上某些超前性。最后论文把密斯的建筑思想和柯布西耶的思想做了个简要的比较。
The logical origin of Mies＇s architectural thought is the transcendental form. This paper firstly point out on the prototype and conversion mechanism of Mies＇s architectural form, and display which Mies＇s architectural prototype is the Rectangulars and the squares of two- dimensional, from the above ,therefore Mies developed his architectural theory of ＂less is more＂ .Secondly, the paper expound Mies＇s architectural thought from the two sides of the ＂Less Is More＂ and ＂God is in the details＂. Thirdly, after further discussion ,the paper discuss the similarity and different between Mies＇s architectural idea and architectural thought of post-modernist. Finally, we briefly compare Mies＇s architectural thought with Corbusier＇s thought.
出处
《建筑师》
2009年第5期22-28,共7页
The Architect
基金
武汉理工大学博士科研启动费的资助项目(编号:471-38650485)
