摘要
傅玄诗歌很少直接抒发个人情感,而是多用代言体,且往往堆砌意象,侈陈物色,从而冲淡了诗歌的情感。这种"力柔"的倾向,其实也是整个西晋诗歌的共同倾向,呈现出西晋时代精神的苍白和柔弱。同时傅玄注重诗歌艺术手法的创新,这正是西晋诗歌共有的"采缛"的时代风气。傅玄的文学观念,不是僵死的、呆板的,落后的,而是在模拟中追求创新,在继承中力求突破,具有开放性和创新求变的倾向。
Fu Xuan seldom expresses his personal feelings directly in his poetry, but often uses first - person narrators. His poetic aesthetic images and color are almost piling up, thereby diluting the emotion in poems. This "soft power" tendency, in fact, was a common trend in poetry creation throughout the Xijin Dynasty, showing a pale and delicate spirit of that era. At the same time, Fu Xuan paid attention to artistic innovation in the poems which was common at that time in the Xijin Dynasty. Fu's literary concept was not dead, rigid, and backward, but was pursuing innovation in simulation, seeking a breakthrough in the succession, and his literary ideas had an open and innovative tendency.
出处
《贵州大学学报(社会科学版)》
2009年第5期114-117,共4页
Journal of Guizhou University(Social Sciences)
关键词
傅玄
情感处理
艺术手法
Fu Xuan
the expression way of emotion
artistic technique of poetry