论《奇异的插曲》中人物主体的侵凌性

On aggression and humiliation of subjects in Strange Interlude

《奇异的插曲》是美国戏剧家尤金.奥尼尔写于1927年并第三次获得普利策奖的一部现实主义戏剧。该剧是美国有史以来最长的戏剧,情节复杂,人物角色极具张力,特别是贯穿于其中的人物的自恋、侵凌性体现了法国精神学派哲学家拉康的自我分裂的主体结构,体现了人物复杂的精神心理路程。

Strange Interlude is a realistic drama written by American dramatist Eugene O＇Neill in 1927 who won Pulizer Prize three times.It is the longest drama in the American history.The plot of the drama is complex and its figures have great tension.Especially the figures＇ self-love and aggression and humiliation manifest the subject structure of self-split of Lacan,a philosopher of French psychoanalysis school,as well as the figures＇ complex mental experience.