摘要
通过对景德镇瓷器与宜兴陶器创作过程中围绕"道"、"器"、"技"、"象"、"境"范畴所展现的美学风格的研究,旨在传承陶瓷文化发展的器物底蕴,涵摄儒释道的人文精神,归本于道器合一、体用一如、物我两化之境。
The paper studies on the aesthetic style by the categories of tao,qi,skill,xiang and jing; concerns china culture of ware details, intakes of Confucianism, Buddhism and Taoism humanistic spirit, a home to Tao and Qi is one, Noumenon and Appearance is one; return to the Huajing or sublimation of object and self.
出处
《中国陶瓷》
CAS
CSCD
北大核心
2009年第11期88-92,共5页
China Ceramics
基金
景德镇陶瓷学院2008年度院级科研项目"景德镇瓷器与宜兴陶器创作美学风格比较研究"课题成果
关键词
三才互摄
道器合一
技进乎道
寓情于象
化境为美
nature,earth and human being three-element mutual absorption, the way and material in one, skill proceed on tao, combining emotion with image, the implications of transmigration of soul creat aesthetics
