论西曲歌“送”“和”之声与“五句子”、“穿句子”的关系

The Relationship between Harmony,Epilogue in Xiqu Songs and Five-sentence,Interspersed Sentence in Jingchu Folk

南朝社会发展的各种因素促成了西曲歌的繁盛,随着社会的变化,西曲歌也随之衍化与变异。但无论如何衍变,它始终保持其基本音乐艺术特质而继续流传,直至当代荆楚民歌,其中仍然具有它的艺术品格。当我们将西曲歌中的"和声"与"送声"与当代荆楚地域流行的"五句子"与"穿句子"的歌唱形式进行比较时,不难发现二者惊人的相似之处,都是一领众和的演唱形式,和声衬词以当地人们习惯性的语气助词为主。这种民歌表演形式,群众基础十分广泛,其领和相间的表现形式,极大地增强了歌曲的感染力。西曲歌和"五句子"、"穿句子"都继承了古荆楚民歌的遗传因子,共同传承着荆楚民歌体制的文化精髓。

When we compare the harmony and the epilogue in Xiqu songs with the five-sentences and the interspersed sentence in Jingchu folk, it is easy to find striking similarities between them. They are both in singing forms of one Singer and others adhesion. And the harmony is primarily the popular modal particle. This folk form has the basis of a wide range of the masses. Xiqu songs and the five-sentence and the interspersed sentence both have inherited the genetic factors and embodied the essence of culture system of the ancient Jingchu folk songs.