摘要
康拉德在其作品中为我们构建了许多殖民主义语境下的被东方化了的东方男性人物形象。分析其作品中的殖民话语,发现康拉德的作品中存在复调结构,在康拉德的小说中并不存在着一个至高无上的作者的统一意识,小说不是按照这种统一意识展开情节、人物命运、形象性格的,而是展现有相同价值的不同意识的世界,形成作者与小说中人物的对话语境,两者的语言具有同等价值。
Conrad in his works has created a lot of male characters in the context of colonialism. Analysis of his works in the colonial discourse finds that there is polyphony structure in Conrad's works. There isn't the existence of a supreme consciousness of the unity in Conrad's novels, which are not launched in accordance with this sense of unity plot, characters fate, the image of character, but show the same awareness of the value of the different worlds, forming the dialogue between author and characters in the novel context, and the two discourses possess equal value.
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2009年第6期103-106,共4页
Journal of Qiqihar University(Philosophy & Social Science Edition)