摘要
《史记》不仅尽情鼓荡英雄们的风云之气,还在战争间隙演绎了几出儿女风情的好戏。"霸王别姬"是风云气兼儿女情的不朽之笔,它演绎了"战争与爱情"."英雄与美女","生存与死亡"三对文学母题。"弱女子勇救落难公子的爱情佳话",以战争为故事展开的背景,是两情相悦的风情喜剧。对"红颜祸水"进行的政治道德上的口诛笔伐,遮蔽了其中存在的"男女真情",其中的普世性的爱情不能一概被抹杀。司马迁以史家笔法书写烽火中的爱情,掀开了战争中最浪漫的感情——爱情的红盖头,开辟了以此揭橥人性的新天地.
Historical Records not only stirred the heroes' sprits, but also deducted several love plays in the war breaks. "Farewell My Concubine"was the immortal narrative filled with heroes'sprits and love story, which deducted three pairs of literature topics of "war and love"; " hero and beautiful woman", " survival and death". "The love story that the daughter bravely rescued the son in difficulties", taking the war as the story background, was a comedy in which two sentiments love each other. The political and moral criticism to "young women as the roots of troubles" camouflaged the existence of "the true feelings between males and female", in which the universal love cannot totally be denied. Sima Qian wrote beacon-fire love by historian writing technique to lift the red lid of love which was the most romantic sentimental in wars, and he opened the new world to expose human natures.
出处
《甘肃联合大学学报(社会科学版)》
2009年第6期1-4,共4页
Journal of Gansu Lianhe University:Social Sciences
关键词
司马迁
《史记》
战争
爱情
Sima Qian
Historical Records
war
love