试析林风眠花鸟画的艺术特色

LIN Fengmian's Flower-and-bird Paintings and their Characteristics

在林风眠的绘画改革实践探索中,花鸟画艺术具有代表性,能体现其倡导的中西艺术融合理论思想与实践成果,具有鲜明的个人特色。他强调了绘画的本质性,舍弃了元明清以来的"诗书画印"样式及笔墨效果,融合了西方现代绘画的构图方式、光影色彩,恢复了元明清以前"画中有诗"中国绘画固有特色。

In LIN Fengmiaffs drawing reform practices and explorations, flower-and bird paintings are the relevant artistic representations, manifesting Chinese and Western art theories well in fusion of thoughts and the practical achievements with vivid individual characteristics. He emphasizes drawings＂ es- sentials, discarding the Yuan, Ming and Qing Dynasties＂ poetry-in-book-and-drawing-in-print style and the pen-and-ink effect, and absorbing modern Western painting＇s composition of drawings with rays and shades so as to restore the pre-Yuan, Ming, and Qing Dynasties＂ painting-with-poetry-in＂ Chinese drawing features.