摘要
在苏轼的三百多首词作中,有近十分之一的作品具有明显的"归去"意向,即"归去"词,按照"归去"的不同方向,可将它们划分为归隐词、归仙词和归朝词。归隐词,顾名思义,是苏轼带有解甲归田意图的作品,表现出对官场的厌恶与逃避;归仙词是他丢下心灵包袱、追求并享受自由的作品;而归朝词则集中体现了苏轼的儒家入世思想,是其执着于世的代表作。
In one-tenth of Su Shi's more than three hundreds Ci Poems, the tendency of "Return" is obvious. Depen- ding on the directions of "Return", they can be divided into three parts: return to isolation, to wonderland, and to palace. To isolation, as implied by the name, represents Su's tendency of looking forward to peaceful life in hometown and to escaping from palace due to his dislike. To wonderland, means unloading his psychological burden and chasing and enjoying freedom. To palace, represents his devoti on, which comes from the Confuciansm, to the empire and the society.
出处
《盐城师范学院学报(人文社会科学版)》
2009年第5期35-41,共7页
Journal of Yancheng Teachers University(Humanities & Social Sciences Edition)
关键词
“归去”词
归隐词
归仙词
归朝词
the "Ci Poems of Return"
return to isolation
return to wonderland
return to palace.