摘要
俄罗斯当代剧作家科利亚达从20世纪90年代开始活跃于俄罗斯剧坛,其剧作被认为是对后苏联社会现实的自然主义解读。本文分别从作家对俄罗斯当代日常生活的揭示、对社会边缘人群的心理拷问、对舞台时空的历史性操纵、对日常语言的夸张运用、对孤独死亡主题的精心演绎等方面,探讨并分析后苏联时期俄罗斯戏剧的基本创作特点。
A large number of Kolyada' s dramas appeared in the 1990-s. These dramas are regarded as a naturalist comprehension of the postsoviet social reality. The paper examines and analyzes the basal creative feature of the Russian drama during the postsoviet period in the author' s depiction of the Russian daily life, psychoanalysis of the marginal man, historic handling of the dramatic space-time, the exaggerated use of any nonregular language, elaborative interpretation of the topic of loneliness and death.
出处
《西安外国语大学学报》
2009年第4期60-63,共4页
Journal of Xi’an International Studies University
基金
"辽宁省教育厅高等学校优秀人才项目"(2006R15)阶段性成果
关键词
边缘人
狂欢化诗学
民间语言
作者存在
感伤主义
marginal man
carnival poetics
folk language
the author' s existence
sentimentalism