关于《招魂》体例与所涉礼制问题及其他——近二十年《招魂》聚讼焦点问题研究述评之二

STYLISTIC RULES AND THE INVOLVED RITES ISSUES OF ZHAOHUN The Focal Point of Zhaohun's Research in the Last Two Decades (Part Ⅱ)

《楚辞·招魂》是中国文学史上争议最多的作品之一。与此前相比,最近二十年《招魂》聚讼焦点问题研究出现了此消彼长的新变。体例争论为此前所未有;所涉礼制争论则触及到了问题的实质;其他争议问题的研究,也在不断地向纵深发展。此期学界围绕《招魂》聚讼焦点问题的激烈争论,推动了《招魂》研究不断深入发展。

Chuci-Zhaohun 《楚辞·招魂》 is one of the most controversial works in the history of Chinese literature. Compared with those of the past, conflicting studies on Zhaohun demonstrated dramatical changes over the last twenty years. Arguments for it＇s style was unprecedented; the controversy on rites touched the substance of the issue; other controversial issues have been developed in depth as well. The academia＇s heated debates demonstrated during this period, which focused drastically on Zhaohun＇s focal points, promoted the further study of Zhaohun effectively.