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从期待视野的角度透视《所罗门之歌》 被引量:3

ANALYSIS OF SONG OF SOLOMON FROM THE ANGLE OF HORIZON OF EXPECTATIONS
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摘要 托尼·莫里森在对小说《所罗门之歌》的创作中突破了美国主流文学传统的创作手法,融入了大量的黑人民间文学传统,比如黑人神话、传说、魔幻、意象和歌谣等,形成了鲜明的黑人民族文学特点。这些突破和特点不断地打破、重建和扩大着读者的期待视野。 In the novel Song of Solomon, Toni Morrison breaks the traditions of the American main stream literature and melts into it a lot of black culture traditions, such as black myths, folklores, customs, images and songs, which endow the novel with noticeable black culture features. It is these breakthroughs and features that constantly break the reader's horizon of expectations and help reestablish and enlarge it.
作者 李异辉
出处 《云梦学刊》 2009年第6期108-110,共3页 Journal of Yunmeng
基金 湖南理工学院科研项目(2007Y035)
关键词 《所罗门之歌》 期待视野 文体期待 形象期待 意蕴期待 Song of Solomon horizon of expectations literary type characters implication
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  • 1少况.“语言不能流汗”:托妮·莫里森访谈录[J].外国文学,1994(1):24-28. 被引量:52
  • 2王守仁.走出过去的阴影──读托妮·莫里森的《心爱的人》[J].外国文学评论,1994(1):37-42. 被引量:21
  • 3[1]William Grimes.Toni Morrison Is 1993 Winner of Nobel Prize in Literature The New York Times,October,8,1993,A1.
  • 4[2]Nellie Mckay,"An Interview With Toni Morrison",from Toni Morrison:Critical Perspectives Past And Present,edited.by Herry Louise Gates and K.A.Appiah,New York.Amistad Press,1993.
  • 5[3]Rosemarie Lester,"An Interview With Toni Morrison",from Critical Essays On Toni Morrison,edited by Nellie Mckay,Boston,G.K.1988.
  • 6[4]Toni Morrison,"The Site of Memory",from Inventing The Truth:the Art and Graft of Memories,edited by William Zinsser,Boston,Mas Houghton Miffline,1987.
  • 7[5]Taylor Guthrie and Danvivle Kathleen,"Conversations With Toni Morrison",Jackson:University Press of Mississippi,1994.
  • 8[6]Toni Morrison:"Song of Solomon",New York:Signet,1978.
  • 9[7]Toni Morrison,"Rootness:The Ancestor as Foundation",from Black Women Writers (1950-80):A Critical Evaluation,edited by Mari Evans,New York:Anchor Press,1984.
  • 10Russell, Sandi. It's OK to Say OK [J]. Women's Review,March 1986.

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