博采众长,有容乃大——元初汉族画家与高克恭的交游对其画风影响

Learning Widely from Other's Strengths Making Greatness out of Generosity——Friendship Between Semu Painter and Han Painters and Its Influence in Early Yuan Dynasty

元朝是我国封建社会中第一个以少数民族贵族为统治核心的中央集权国家,也是一个民族压迫和文化融和的时代。在绘画领域,出现了一批运用汉族绘画形式进行创作的少数民族画家。少数民族画家高克恭在与汉族画家赵孟頫、周密、邓文原、仇远的交游中,冲破民族的隔膜,将少数民族的绘画艺术融合在中华民族文化的艺术宝库中,体现出中华书画特有的艺术风采。

The Yuan Dynasty is the very first time that took the national minority aristocrats as the dominant core to centralize the state in our country＇s feudal societies, which was also the time of national oppression and cultural integration. In the painting field, some minority painters created paintings by using Han Nationality＇ s drawing pattern. During Semu aristocrat Gao Ke-gong＇s associatcon with Hart Painters, Zhao Mengshu, Zhou Mi, Deng Wenyuan, and Qiu Ynan, he broke national estrangement and melted minority painting art into the treasure house of Chinese art and culture, showing the unique art elegance of Chinese painting and calligraphy.