新感觉派和张爱玲死亡意象分析

Analysis of New Sensibility and the Images of Death in Zhang Ailing's Works

新感觉派和张爱玲在死亡意象的择取和表现上呈现出不同的创作景观。不同的性别气质导引他们择取不同的空间意象:公共区域和私人空间。相异的文学理念产生对都市的不同的观察视角:前者致力于传达都市感觉,后者致力于人性摹刻。从意象与主题结合的表达效果来看,新感觉派作品中的意象与主题呈"粘合"之态,而张爱玲作品中的意象设置与主题表现出一种融合之状。新感觉派和张爱玲的创作都使都市生存抹上死亡的阴影。相比较而言,新感觉派作家对死亡的认识流于肤浅和感性,而张爱玲则进入了更为理性、自觉的层面。

There are some different Creative Landscape in the death camp and the optional image and performance between New Sensibility and Zhang Ailing from a different creative landscape. Different Gender guides different temperament from their different optional image space： public and private space. Different literary concept lead them to different perspectives on observing the city： the former is committed to convey the fecling of the city, the latter to human inscription. Combination of imagery and themes from the expression of the effect, New Sensibility＇s works tried to bond with the theme of imagery, while the settings and themes of the image in Zhang Ailing＇s works shows a fusion of form. They both shadow death over the existence of the city. Comparatively speaking, the writers of New Sensibility are awaren of death superficial lgnd sentimentally, and Zhang Ailing is entering a more rational and conscious level.