解读山水画理论的成熟形态——《画山水序》和《叙画》

Interpretation on Mature Form of the Theory of Landscape Painting: Huashanshui Xu and Xuhua

山水画乃中国绘画之大宗,山水画理论也是中国学术史的重要组成内容。中华美学精神形之于绘画,也以体现在山水画上最为清晰。山水画历史久远,它产生于魏晋六朝时期,而宗炳的《画山水序》和王微的《叙画》两部山水画理论也产生在同时期,它的出现对前汉后唐两个时代艺术的总结和开拓起了转折与通筋舒络的作用,以自己鲜明的艺术特色丰富了早期的中国美术史,并对后世中国画和画论的发展产生了直接影响。

Landscape painting is a main part of Chinese painting, and the theory of landscape painting is also an important part of Chinese academic history. The esthetic spirit of Chinese painting is also clearly reflected in landscape painting. Landscape painting and its theory have a long history, which appeared in the Wei and Jin dynasties. And the works Huashanshui Xu by Tsung Ping and Xuhua by Wang Wei were also painted in this period. These two works sum up the characteristics of Chinese painting in Han dynasty and bring forth the painting art of the later Tang dynasty, which have great impact on the development of Chinese painting.