任昉文章“文体本疏”与破体辨析

Discussion about the Nonstandard Article Manner and the Behavior of Breaching the Stylistic Criterion of Ren Fang's Literary Works

在中古文笔分域的背景下,任笔在齐梁之际赢得了炳焕的盛名,然而北人邢却讥斥任"文体本疏",抵牾顿生。邢这一言论,是在与魏收斗文争胜的背景下提出的,除不满任诗歌好用新僻的典故之外,还有任在创作中常突破文体规范、随意运笔的缘故。任作品中所存在的破体现象,反映了他不拘于文体约定俗成的既有规范,灵活地从具体境况出发结撰篇章以各致其用,同时也是他追求新变的结果。

Under the background of Separation of ＂Wen （literary composition in rhyme）＂ and ＂Bi （literary composition free from rhyme）＂ in medieval time, while Ren Fang＇s ＂Bi＂ gained enormous reputation in the Qi and Liang Dynasties, his nonstandard article manner had been quipped by Xing Shao of the Northern Dynasties. Xing Shao＇s comment was raised under the background of contesting with Wei Shou in the realm of literature. Besides using rare allusions, Xing Shao＇s practice of breaching the stylistic criterion was also criticized. The phenomenon of breaching the stylistic criterion shows that Ren Fang was not restricted by existing stylistic criterion, and flexibly compiled his essays based on the different contexts. And it is also the result of Ren Fang＇s pursuance of diversification in composition.