摘要
渔民画作者群体大都是土生土长的渔民渔姑，没有条条框框的束缚。他们汲取大海的天真纯朴，用无限想象和情感描述着一张张生动朴实、构思巧妙的渔民画。舟山渔民画创作已初步形成一支具有独特风格的队伍。文章通过对普陀模式的分析，探究舟山渔民画今后的发展趋势，从而推进舟山渔民画的进一步发展。
The groups of the author＇s of fishermen paintings are mostly home-grown fishermen and fisherwomen, who know nothing about the rules and regulations. They learn from the sea of naive simplicity with unlimited imagination and emotional faces and paint lots of vivid and simple, full of ingenious idea fishermen paintings, which have taken shape in a unique style. This paper, based on the analysis of Putou model, explores the development trend of the future of Zhoushan fishermen paintings in order to promote their development.
出处
《浙江国际海运职业技术学院学报》
2009年第2期21-24,共4页
Journal of Zhejiang International Maritime College
关键词
渔民画
普陀模式
发展趋势
fishermen paintings
Putuo model
development trend
