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种族发现与艺术视角:哈莱姆文艺复兴时期兰斯顿·休斯的诗歌成长 被引量:3

Racial Rediscovery and Poetic Perspective:Langston Hughes’s Artistic Growth in Harlem Renaissance
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摘要 哈莱姆文艺复兴时期,兰斯顿·休斯对美国黑人民族的重新发现不仅回应了时代精神,而且推动了他艺术视角的变化。总体来说,休斯在这一时期艺术视角的转变表现在三个方面,即空间维度上由外而内的转变、时间维度上由历史想象到现实关注的转变、精神维度上由主观向主客一体的转变。艺术视角的转变标志着休斯诗歌艺术的成长。 Langston Hughes’s rediscovery of his race in Harlem Renaissance not only answers the call of the times,but also offers an impulse to the change in his artistic perspective. Generally,his artistic perspective changes in three dimensions: spatially from outside to the inside,temporally from historical imagination to concern with reality,and spiritually from the subjective to the unity of the subjective and the objective. The change marks his growth in poetic artistry.
作者 罗良功
出处 《世界文学评论(长江文艺出版社)》 2009年第2期74-77,共4页 The World Literature Criticism
关键词 种族发现 艺术视角 兰斯顿·休斯 诗歌 racial rediscovery poetic perspective Langston Hughes poetry
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参考文献6

  • 1.The Collected Poems ofLangston Hughes[]..1994
  • 2Rampersad,Ranold.The Life ofLangston Hughes:Vol I,I,Too,Sing America[]..1986
  • 3Beavers,Herman."Dead Rocks and Sleeping Men:Aurality in the Aesthetic of Langston Hughes."[].The Langston Hughes Review.1992
  • 4Dekle,Bernard."Langston Hughes:Dedicated Negro Poet."[].Profiles of Modern American Authors.1969
  • 5Hughes,Langston.The Big Sea[]..1963
  • 6Metzger,Linda."James Langston Hughes,"[].Contemporary AuthorsNew Revision Series.1981

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