摘要
《诺斯托罗莫》历来被评论家认为是康拉德小说创作的巅峰之作。自问世以来,文学批评界对它的主题、叙事艺术等方面作了不少探索。本文运用叙事学中"时间倒错"的观点分析该小说中体现出来的康拉德对叙事时间的革新之处,并探讨小说中叙事时间的处理艺术及其美学意义。
Nostromo is agreed upon most of Joseph Conrad’s critics as his greatest novel. Since publication, analysis on its theme and narrating arts has been made. This paper seeks to proceed with the perspective of Conrad’s fictitious narrative time, and combines the analysis of narrative time with Nostromo, and utilizes the viewpoint of ＂Anachrony＂ to discuss Conrad’s art of time and its aesthetic meaning.
