摘要
当前国内的哈罗德.布鲁姆文学批评研究存在着一个较大的问题,即大多是聚焦于对其批评理论的研究,而很大程度上忽视了对其具体文本批评实践的研究。本文通过具体分析和展示哈罗德.布鲁姆对蒙田和莫里哀代表作的经典性的发掘和批评,归纳和概括其批评实践的特点,评估其价值,并思考这种批评对于当下中国文学批评的启发和借鉴意义。
There is a big problem in current domestic studies of Harold Bloom： researchers mainly focus on his critical theory but ignore his textual criticism practice. This thesis, through analysis and demonstration of Harold Bloom’s criticism on Montaigne’s and Molière’s works, tries to summarize the characteristics of his criticism,evaluate its value,and reflect on its significance as to current Chinese literary criticism.
