七面纱下欲望主体的觉醒与重建——论莎乐美的反叛与超越

The Desiring Subject's Awakening and Re-construction:Salome's Rebellion and Transgression

借助拉康关于语言与人的主体建构的理论对独幕诗剧《莎乐美》进行重新解读,可以发现,作者通过对莎乐美自我身体欲望的书写,以一种反常规、反理性的诗意表达方式,颠覆了"菲勒斯逻各斯中心主义"中的男性优势。更重要的是,通过与其他男性主体建立新的主体间关系,莎乐美超越了即时的两性冲突,摆脱了文学和历史对女性言说的限制,自由地探索自己的身体和无意识,并在这个完全敞开的建构过程中体验一种自我表达的极度愉悦,或曰"狂喜"。

With Lacan＇ s theory about language and the construction of human subject to re - read the one - act drama Salome by Oscar Wilde, it can be found that, through the account of Salome＇ s desire of her body, the dramatist subverts masculine superiority in ＂phallus -logos -centrism＂ in an unusual and irrational poetic way. Moreover, by constructing new inter - subjective relations with other male subjects, Salome transgresses the existent conflicts between the two sexes, liberates herself from the strictures imposed upon women by history and literature, explores her body＇ s desire and her unconsciousness freely, thus experiences the extreme enjoyment of self - expression or ＂jouis- sance＂, in the totally ＂open＂ process of construction.