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番瑶音乐文化与中原文化的渊源关系

The Original Relationship between the Central Plains Culture and Music Culture of Fan Yao
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摘要 番瑶音乐构造的规律,实际上就是《周易》所言的阴阳变化的规律,阴阳设位后,从歌词到音乐的进行均有着相互对立而又统一的美学效果,从而产生了对称、均衡、和谐的审美效应。《周易》在理论上揭示了阴阳相对而又统一的自然规律,番瑶将其延伸到音乐的领域,便创造了绵延数千年、独具一格的番瑶音乐文化。 The structure of the Fan Yao music, in fact, is the diversification of yin and yang in the "Book of Changes". Yin -yang diversification has a unified and antithesis aesthetic effect from the libretto to the music after they have the' changes of location, resulting in a symmetrical, balanced and harmonious aesthetic effect. Theoretically, "Book of Changes" has revealed Yin and yang have a unified and antithesis aesthetic effect in the laws of nature, Fan Yao had extended the law to the music field, it had created a stretch for thousands of years and unique music culture of the Yao fan.
作者 刘雯
出处 《信阳师范学院学报(哲学社会科学版)》 2009年第6期100-104,共5页 Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)
关键词 番瑶音乐 中原文化 阴阳论 《诗经》 《周易》 Fan Yao music the Central Plains culture Yin-Yang theory "Book of Changes"
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参考文献2

  • 1诗经[M].万晓勇,译注.北京:中国戏剧出版社,2007.
  • 2苗晶.山东民歌旋律构成上的基本类型.中国音乐,1991,.

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