摘要
番瑶音乐构造的规律,实际上就是《周易》所言的阴阳变化的规律,阴阳设位后,从歌词到音乐的进行均有着相互对立而又统一的美学效果,从而产生了对称、均衡、和谐的审美效应。《周易》在理论上揭示了阴阳相对而又统一的自然规律,番瑶将其延伸到音乐的领域,便创造了绵延数千年、独具一格的番瑶音乐文化。
The structure of the Fan Yao music, in fact, is the diversification of yin and yang in the "Book of Changes". Yin -yang diversification has a unified and antithesis aesthetic effect from the libretto to the music after they have the' changes of location, resulting in a symmetrical, balanced and harmonious aesthetic effect. Theoretically, "Book of Changes" has revealed Yin and yang have a unified and antithesis aesthetic effect in the laws of nature, Fan Yao had extended the law to the music field, it had created a stretch for thousands of years and unique music culture of the Yao fan.
出处
《信阳师范学院学报(哲学社会科学版)》
2009年第6期100-104,共5页
Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)
关键词
番瑶音乐
中原文化
阴阳论
《诗经》
《周易》
Fan Yao music
the Central Plains culture
Yin-Yang theory
"Book of Changes"