论《玩偶之家》中“玩偶”的双重性

On the Dual Nature of the Doll in the Family of Doll

《玩偶之家》是易卜生"社会戏剧"中最早的一部讨论家庭关系的戏剧作品,以往对玩偶的身份界定都是定格在娜拉这一人物形象之上。本文试图重新解读《玩偶之家》,采用文本细读的方法,对谁是玩偶的问题给予新的诠释。在反观娜拉家庭玩偶这一形象时,海尔茂却成了男权社会制度下的牺牲品,他也是玩偶的另类表现,从而揭示出易卜生"社会问题剧"所独有的批判社会现实的意义。

Family of doll is an earliest drama about the relationship of family members. It is one of ＂the social plays＂ written by Ibesen. The identity of doll is located in the the character image of Nala in the past. This article attempts to analyze and explain Family Of Doll from a new perspective and give a new annotation on the question who is the doll. When we observe the image of Nala from another angle of point, Haire actually becomes a victim under the social system of male power. He is also an expression of doll in another way, hence promulgating the unique critical connotation of social reality in Ibesen＇s ＂social question play＂.